This collection, edited by Elizabeth A. Flynn and Tiffany Bourelle, contributes to the valuable work of chronicling the professional and personal lives of women in academia. Through its line-up of contributors from diverse backgrounds, locations, and career paths, Women’s Professional Lives in Rhetoric and Composition showcases the voices of multiple scholars occupying a multitude of different roles in the profession: from prestigious professors emeritae and endowed chairs to assistant professors starting their careers to an independent scholar to part-time faculty.
The collection sets itself apart from other volumes not just in its diversity of perspectives but also by speaking against linear stories of success in the profession—sharing moments of shame and failure, showing how the personal and professional often intertwine and influence one another, and ultimately revealing how choice, chance, serendipity, and kairos have all played a role in the lives of its contributors. In focusing on this convergence, Women’s Professional Lives in Rhetoric and Composition offers a more nuanced picture of the professional and intellectual trajectories of women in rhetoric and composition.
About the Author
Elizabeth A. Flynn is Professor Emerita of Reading and Composition at Michigan Technological University, coeditor of Feminist Rhetorical Resilience and Gender and Reading, and author of Feminism Beyond Modernism. Tiffany Bourelle is Assistant Professor of Rhetoric and Writing at the University of New Mexico.
Praise For…
“This volume makes a strong contribution to and intervention in efforts to understand the multiple roles women are called on to play in their careers in rhetoric and writing studies.” —Andrea Lunsford
“This collection adds flesh and breath to the academic genres and modes of professional life that require us to tell linear stories of success. In so doing, it celebrates the multiple shapes our lives take and insists on the importance of stories of professional women in composition and rhetoric. Most importantly, it follows the feminist tradition of including what has been cast out: moments of failure, of shame, of struggle.” —Shari Stenberg, author of Repurposing Composition: Feminist Interventions for a Neoliberal Age
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